Technical Studies for Advanced Players (Bass Clef)

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Double and triple tonguing exercises and examples of orchestra passages in which multiple tonguing can be used. Pedal note studies and examples of usage in orchestra passages. Glissandos exercises in orchestral passages. The useof the mute damper: Daily exercises; 12 studies on the complete technique of the instrument. Instructions in French, English, Though the publisher rates them as Easy, they are actually quite abit more difficult. All are in facsimilie hand manuscript.

Intended for the advanced player, these lessons feature a wide range of music to help the player gain mastery of sight reading.

This Vade Mecum is intended principally for students preparing for advanced examinations. It will also be a valuable guide to those who, having completed their studies, wish to keep up their technique. Part One lays emphasis on various technical points which are often neglected: Part Two presents a scale of an o View Shopping Cart Lake, Michael Alto Trombone Savvy At last there is a book that covers everything you'll need to know in order to play the alto trombone.

Alto Trombone Savvy is a comprehensive collection of etudes, exercises, wisdom and very practical advice for learning and improving one's skill on the alto trombone. The book comes in two versions: These 40 or so pages and 25 sound files will guide your focus toward a deep dive into strengthening your jazz ear.

In Trombone Improvisation Savvy, ear strengthening was a centralfocus. After its publication, I realized that there is so much more that can be said about the ear and done to improve one's jazz playing. You have music inside of you. The hard part is getting it to pass through your horn similarly to how you hea Over audio files serve as play-along tracks to the book's exercises, performance examples, and challenges for evaluating your time and rhythm senseand then showing you how to elevate it.

15 Advanced Studies for Tuba (Treble Clef)

Rhythm Savvy is organized into three sections, each building on the previous: If you wish you could stand up and play melodically and fluently within the chord changes, surpassing the expectations of you, your bandmates, andyour audience, this is the book for you. You've probably worked through books on scales and patterns and found that your improvisation isn't any better.


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In fact, maybe your solos sound like scales and patterns. The reason your improvisation isn't View Shopping Cart Lane, Richard Concise Daily Routines A set of daily embouchure exercises designed to aid in building tone quality, flexibility, range, and finesse. Designed for performers of all levels of achievement. Ships in 20 to 30 Days Qty: Forward by Ralph Sauer.

15 Advanced Studies for Tuba (Bass Clef)

He has composed an extraordinarily well organized page book of flexibility studies which spans the elementary to advanced levels. A new standard text for brass embouchure flexibility which deservedly joins the pantheon of other such studies by Schlossberg, Irons, Colin, Smith, etc. Arpeggio and interval studies which become progressively more ex The keys and tempos are comfortable. It's an excellent tool for learning what jazz soloing is all about. Besides reading, you can improvise over the play-along tracks using the chords for the tracks shown in the book.

Ships in 10 to 15 Days Qty: They are ideal for learning the basic language of jazz, swing phrasing, and articulation. Each etude is based on a specific rhythm or a comb View Shopping Cart Little, Lowell Embouchure Builder A set of 42 short intervallic lip-slur and long tone exercises designed to help strengthen the chops. The studies contained herein are excellent for use in the warm-up period prior to each daily session of practice.

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The technicality of the fingeringsand slide positions trombone slide positions appear above the notes; baritone fingerings appear below the notes wherever conside View Shopping Cart MacBeth Original Louis Maggio System for Brass Living in the days when communications were slow and the development of the brass instrument was in its formative years, Louis Maggio developed a teaching technique still used today. Maggio's instructions grew out of an accident that changed his life.

He was appearing with the Saint Paul Symphony when disaster struck in In subzero weather, while running to catch a streetcar, Louie slipped on the icy pavement and fell, striking his mouth on a safety zone button. The force of the blow litera These seven routines, one for each day ofthe week, are designed to be played with accompaniment by the iReal Pro app sold separately , but you can also reap the benefits by simply playing the exercises with a good old-fashioned metronome.

Beginning students can play the easier exercises a The etudes range in length from a half to full page. Most are in bass clef, though many switch into and out of tenor. Primary areas of study include sequences, rhythmic patterns and scalar passages. The book is a good all-around etude book for someone who would like a compact collection covering a wide variety of st In volume 2 we see more use of wide ranging phrases, disjunct patterns, more upper register, more liberal clef switching tenor-bass , and longer etudes in general.

This volume is a little more focused on the technical aspect of playing than volume 1. View Shopping Cart Mangelsdorf Introduction to Improvisation [in German] Methodical approach to jazz improvization based on scales and chords. Manglelsdorf was a world reknowned German jazz trombonist. He was remarkable in that he became famous in a time when jazz was a near exclusive US export.

He's even more notable in thathe studied jazz in Germany during the Nazi times when jazz was forbidden. He took up trombone in and has made many recordings in his career, many with other famous jazz artists. This book dates from Ships in 6 to 9 Days Qty: Over the years of my teaching experience, the most common problem I have found in my students is an inability to play rhythms correctly. Long ago, it occurred to me that, if rhythmic problems were studied in a systematic way, this situation would not exist.

These rhythmic studies were written over a period of time as separate exercises designed to concentrate on specific problems; virtually every study represents a problem from an actual piece of music. Simone Mantia's "Trombone Virtuoso" was one of the most important method books for the instrument in the mid 20th Century. Many major trombonists used this book as young artists, finding it added greatly to their progress on the instrument. Mantia's method book covers all clefs, keys and techniques necessary for a sound footing on the trombone. Although some of the styles in the book may seem dated, they were in vogue at the time.

View Shopping Cart Marchesi, Mathilde Castrone Vocalises 24 , op 3 Fatch A set of 24 vocalises, though technical in nature, are also great musical studies. Flat keys and bass clef throughout. Great for articulation, legato and musicality training. Many are to be played slowly at first, with the goal being to play each at maximum speed. All notes are marked as to correct position, including variants. The author suggests using the marked positions in order to fully appreciate the intention of the book.

Tenor and bass clefs are used throughout, as needed. For the advanced player. View Shopping Cart Marsteller, Robert Basic Routines Large collection of routines intended to used as needed to supplement a course of study. The author states their principal function to be that of calithstenics exercises for various muscles used in playing the instrument.

The objective is to improve coordination, strength and control. View Shopping Cart McGregor, Rob Roy Daily Scale Builder Includes 28 sets of scales in many forms - major, natural harmonic and melodic minor, chromatic, whole-tone, and pentatonic, with some diminished, augmented, dorian, phyrigian, lydian, mixolydian, aeolian and locrian as well.

This one contains patterns designed to lead the student through greater mastery of the scales from an intermediate level through college. All the Major and Minor scales are covered indepth We look forward to many performers using these valuable studies to improve their technique and musicianship. I have added dynamicsand View Shopping Cart Miller Studies 60 exercise 1 exercise 30 exercise View Shopping Cart p. Use our Catalog Order Page to order items from a printed catalog, or if you already know our catalog number for the item s you're interested in.

And as always, feel free to E-mail us with your questions! Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:. The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flute , the second for Oboe , the third for Clarinet , the fourth for Bassoon , and the fifth separated from the woodwinds by a dash is for Horn. Sometimes there are instruments in the ensemble other than those shown above.

Whenever this occurs, we will separate the first four digits with commas for clarity. Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Titles with no bracketed numbers are assumed to use "Standard Instrumentation. Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:. The bracketed numbers tell you how many of each instrument are in the ensemble.

The first number stands for Trumpet , the second for Horn , the third for Trombone , the fourth separated from the first three by a dot for Euphonium and the fifth for Tuba. Titles listed in our catalog without bracketed numbers are assumed to use "Standard Instrumentation.

Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. The focus of the book is entirely on rhythm. The book is a rhythm theory book, but one with a significant difference. This is a theory book that students play. Students read rhythm theory, and they demonstrate their cognitive understandings This collection of etudes is intended to fill a gap the literature, namely studies written in the jazz idiom for players of an intermediate to advanced level.


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  5. The final section consists of five studies each in the style of one of the composer's favorite jazz trombone soloists: Johnson and George Chisholm. It is accompanied by a CD to help the player better a Ships in 20 to 30 Days Qty: In this book I will show that there are, in fact, a lot of other possibilities. This volume contains many folk songs whose melodies are well suited for the purpose of the book and I also want our folk songs so as not to be forgotten, but brought on to new generations!

    With this book I want to show you with the F attachment you can: Tenor players switching to bass trombone will benefit with the etudes as they offer plenty of work on trigger notes. Set in a variety of sharp and flat keys using basic time signatures. Includes a set of 23 short orchestral excerpts that require trigger use. This book deals only with the F attachment along with its flat-F and E tunings. The music however is appropriate for any instrument.

    Contains simple exercises for valve use, short progressive etudes and representative orchestral excerpts. Well annotated by the author. Appropriate for the intermediate level player. Ostrander was bass trombonist with the Nation A matching book of piano accompaniments is also available see item Panofka was a student of the great Marco Bordogni. His music has been widely used by vocalists for more than a century. Thesesongs are generally shorter than the Bordogni compositions.

    They are musical and intelligently progressive. Young students will benefit from this introduction to the singing legato style. The range is not extreme, but both range and key signatures Trombone parts provided in both tenor and bass clefs. View Shopping Cart p. Use our Catalog Order Page to order items from a printed catalog, or if you already know our catalog number for the item s you're interested in. And as always, feel free to E-mail us with your questions! Woodwind Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:.

    The bracketed numbers tell you the precise instrumentation of the ensemble. The first number stands for Flute , the second for Oboe , the third for Clarinet , the fourth for Bassoon , and the fifth separated from the woodwinds by a dash is for Horn. Sometimes there are instruments in the ensemble other than those shown above. Whenever this occurs, we will separate the first four digits with commas for clarity.

    Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Titles with no bracketed numbers are assumed to use "Standard Instrumentation. Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:.

    The bracketed numbers tell you how many of each instrument are in the ensemble. The first number stands for Trumpet , the second for Horn , the third for Trombone , the fourth separated from the first three by a dot for Euphonium and the fifth for Tuba. Titles listed in our catalog without bracketed numbers are assumed to use "Standard Instrumentation. Following many of the titles in our String Ensemble catalog, you will see a set of four numbers enclosed in square brackets, as in this example:. These numbers tell you how many of each instrument are in the ensemble.

    The first number stands for Violin , the second for Viola , the third for Cello , and the fourth for Double Bass. Thus, this string quartet is for 2 Violas and 2 Cellos, rather than the usual The system used above is standard in the orchestra music field. The first set of numbers before the dash represent the Woodwinds.

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    The set of numbers after the dash represent the Brass. Percussion is abbreviated following the brass. Strings are represented with a series of five digits representing the quantity of each part first violin, second violin, viola, cello, bass. Other Required and Solo parts follow the strings:. Instruments shown in parenthesis are optional and may be omitted. The Beethoven example is typical of much Classical and early Romantic fare. In this case, the winds are all doubled 2 flutes, 2 oboes, 2 clarinets and 2 bassoons , and there are two each horns and trumpets.

    There is no low brass. Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. Sometimes strings are simply listed as "str," which means strings. The second example is common for a concert band or wind ensemble piece.