Thirty-Six Vocalises for Soprano: No. 3

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Coming near to the hysteria of the poems, but always, always keeping hold of her stunning voice. Greif was not afraid to pull out the Romantic steps from Mr. Korngold, a Schoenberg student whose own genius was in opera and film. Greif, with pianist Conor Hanick.

One thought of dodecaphonic tone-rows as bagatelles, little jewels which were held up somehow on their delicate strings. Her voice here was not ethereal. It was searing, throaty and sometimes with striking emotion.

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Ferdinand Sieber: Thirty-Six Eight-Measure Vocalises For Soprano Op.92

Bold and insightful, the performance strongly emphasized the intrinsic beauty and the emotional resonance of the game-changing quartet. Based on a famous poem by Goethe, which was itself inspired by a Scandinavian folktale, this four-minute ballad shows an inordinate sense of drama and impressive compositional sophistication from the year-old youngster that Schubert was at the time.

The sharply defined four characters gave Greif a priceless opportunity to display her remarkable gift for spellbinding narrative and on-the-spot shifts in rhythmical nuances. Also presented with a rangy role, Greif sang quite beautifully, particularly in ensemble passages, where she blended seamlessly with her colleagues.

Their maid, Three, was the very funny Ariadne Greif, whose soprano voice rang intensely in the small space.


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Johnson, Classical Voice America. And the dusting, dancing, most physical maidservant, Ariadne Greif exaggerating, electrically going up to the top of the soprano range He captures the bizarre nature of the text of the Jabberwocky with deft precision, sharp wit, and staggering intricacy largely through the breadth of unusual vocal effects for which he calls throughout the score. These effects include stuttering consonants, long slides, rapid-fire glottal stops, speaking, gurgling, lip and tongue trills, and even a choking sound.

Needless to say, these are far beyond typical vocal techniques that are required in standard repertoire, but Ariadne has risen to the challenge that the composer laid out specifically for her. She navigates this complex score not only with ease, but also an unbridled enthusiasm and a taste for the dramatic. Monteverdi's Psalm sung at age For booking inquiries, email info cadenzaartists. Otherwise, write a message here! Lovely review for Classical Celebration in Sarasota!

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Thirty-six eight-measure vocalises for mezzo-soprano : op. 93

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36 Eight-Measure Vocalises for Soprano, Op. Ferdinand Sieber: qexefiducusu.tk: Books

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