Far Off I Hear a Lovers Flute (Low voice)

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Round 96, 97, Not to much lryics to the song starts of Roam if you want to. Joe song "Priceless" was sampled for this song Something something something,,,, trying to get them bills paid. It sounds like new jack swing and done by females maybe group. It start with "here we go here we go here we go come on come on " and it has a line "while don't you stay for a while and enjoy yourself ".

All i can say is that is a man who sings and the music starts with And that the chorus could be sung by another singer """" do you really want me baby """"-- please help me thanksss a lot if you can. I was looking for this all myself for years.


This was like a house type of jam that they played and Newark New Jersey it sounded like a baby in the background it could have been the Asian woman and the lyrics were aye aye aye baby aye baby. Chong - "You wanna get high, man? Chong - "That's the most acid I've ever seen anyone take; hope you're not busy for about a month. Bart Simpson - Cannot remember what the sample consists of, but is in there. The samples are all generally marijuana-related, but as I said before, a DJ is scratching over all of them.

Dip , dip, dipper!!!! Dip , dip , dipper!!! Dip , dip , dipper!!!! Jacksquared in , seem to have found the song you were talking about which is by Deep forest and the song is called Deep forest. Skip it to the chorus. I thing that song I'm trying to find was released - I think that intro of the song was with dark male voice saying "dip dip dip dip dip the base If you could help, I would be happy, if not, nevermind!

I tried all songs from his conversation.. It was lower male voice at the start Bla bla bla bla bla bla beep beep beep blah blah blah blah blah blah beep beep beep Blah blah beep Blah blah beep beep beep Beep beep beep Beep beep beep. I m looking for a song i don't now the title or the name of the singer. The house song was released between and the lyrics goes like love will stay the same is the players who will change. Some please assist me so I can get a download of the song!

The course is like whoaaaaaah whoooooah then he starts speaking in like some kind of gibberish. I know it's got Dre in it I remember his voice in it. Can someone help me out here?

Lol been driving me Mad!! Damn I'm tired sorry. The first one sounds like it could be a remix of this song. In it was re made by Room 5 - Make Luv. From what i could hear of this song it sounded a lot like the original with Olivers lyrics but it had deep house beat to it. I heard it played in Thailand a few weeks ago and i believe it is a fairly new release. There was not many other lyrics in the remix apart from the title. I am also fairly sure that this a new remix.

If anyone can help it would be greatly appreciated. He says you gone fuxk me and my man? She responds Nigga what? Is you drunk or somethin don't be calling my phone with that disrespectful shit. He says you fucked my man, she responds AND so what nigga fuck you. He says fuck you bitch, hangs up the phone and the song I'm looking for comes on If ther are any similar patterns you recognize, let me now. The song was redone by portrait but without female vocalist. I'm sure it rhymes love with above, maybe high up above.

It's a slightly dark sounding song, a love ballad in something that sounds like a minor key I'm not an expert in this kind of thing. I live in Melbourne, Australia, so it could be from just about anywhere, I think it had a light General American accent. I suspect it was 80s or 90s but I've heard it relatively recently thanks in advance. Ok, i look also for a song. I am french too. It is an electronic song from Sweden or maybe an other scandinavian country around I heard it just once on Fun radio with Max.

There is a lot of percussions and a female voice. I think she sings in swedish but i am not really sure right beause i can not find something on the web. She speakes more than she sings and it sounds like "Ti ken do, no all tack, ti ken do do do do do, no all tack, tack, tack, tack, tack. And ven e si achi if smat" Well, the end is super shitty phonetic transcription but i am sure she says "tack" thank you in swedish.

I thought the electroband name was pyramid but, again, i found nothing on the web. Looking for song ending with Woman singing So in Love. Looking for a song probably from the 90s with a number of samples in it. Ends with a woman singing "So in Love. If you know this one, my brain thinks you immensely. I have scoured the lyrics world to try to find this.

The course goes or something like that: I'm not the one for you , you'not the one for me A round and a round in circles we go I think it was called, "Always Thinking", and some lyrics are, "I was searching for somebody wasting all my time but since the day I saw your body it's been always on my mind I'm always thinking about you, Baby, don't know what I'm gonna do. I'm always thinking about you, Baby, don't know what I'm gonna do If the finger holes are too far apart, the flute can be uncomfortable of impossible for some players to reach and reliably cover the finger holes.

If you see only five finger holes on your flute, it is likely that the leather covers up a sixth finger hole! Some makers add the leather strap to make their six-hole flutes into a five-hole flute. You are free to remove the leather and explore the options offered by the additional finger hole. Some flutes today are made of various plastics: Here are some things to consider:. Since you place a flute on your lips when you play, the safety of the materials and the finish of the flute should be considered.

Not only should the characteristics of the material itself be considered, but the process used by the specific manufacturer of the material used in the flute. Is the material produced from recycled or re-ground products? What contaminants might be present? Considering the way flutes are used, I believe that plastic materials should meet one of the standards for:. Consider that the commonly available Schedule 40 PVC is designed for wastewater systems. So you can ask the flute maker about the source of their materials and what statements or certifications they have from the manufacturer about the specific grade of material used.

However, realize that a statement by the manufacturer is different from a certification by an organization such as the FDA. Here is an excerpt from an email from Gary Bakker, of PolyChlor personal communication, July 16, that highlights the situation:. As in many cases with specific tests or ratings in the plastics industry many suppliers will use all the correct ingredients to meet a certain test but will not do the tests as they are extremely expensive and will have to be re-done if any changes are made in their process.

This happens a great deal in the industry and various ingredients either change or come from different suppliers etc. So, if someone is running something specifically for the food industry, they will have to have FDA and keep their rating in place but many others in the industry who are on the periphery will suggest their material is FDA compliant but not approved.

So, if you receive a statement by the manufacturer regarding the safety of the material as it relates to food safety standards, you will have to judge if it is sufficient for your needs. Stalk flutes flutes generally take less time to craft that flutes made of wood. Many makers of stalk flutes craft their instruments using only hand tools. Since each flute has its own unique sound, and quality instruments can be made by experienced flute makers from a wide variety of materals, the sound of an instument has more to do with crafting technique than the materials used.

Thanks to Ki-e-ta of Cherry Cows Flutes for addressing this question. This is a topic of much debate, typically involving polarized views expressed with great fervor. In short, a rabbit hole topic. In musical instruments such as violins and guitars, where the body of the instrument acts as a resonator, nobody argues that the material can dramatically affects the sound. But for wind instruments where the body of the instrument does not significantly resonate, the debate is not so clear. One camp supports a position that the material has no more than a miniscule effect on the sound.

The question of whether or not the playing properties of wind instruments are influenced by the material from which it is made has been the subject of curiously bitter controversy for at least years. If the walls are thick enough not to vibrate and if they are smooth and nonporous, experiment and theory agree that switching materials will make changes in the damping that are generally less than the two-percent change that most musicians are able to detect.

The other camp opines that the vast differences sound between various Native American flutes is due in significant part to the materials used. Tom Stewart of Stellar Flutes provides a counterpoint on his web site:. Each flute has its own voice and there are similarities in the woods of the same species or density. It is not an easy task to describe in words the nature of these various differences. I have always told my customers exactly the opposite. Yes, the wood used in the flute affects the voice, but you can see the dilemma created by trying to describe these subtle differences.



It is called the flue in the diagram above. This channel can be cut into the body of the instrument or into the bottom of the block — or even a combination of these two choices. The choice is a matter of taste for the flute maker. Those extensions are called wings. They affect the timbre of the flute, the pitches of the notes produced, and can help keep wind from disturbing the vibrations that create the sound of the flute. Back-sloping and forward-sloping blocks.

The differences between block designs can be substantial. See, for example, the question above on Why do some flutes have a groove in the flute body …. Swapping a block which has the flue cut into the bottom with a flat-bottomed block will likely not get good results.

More subtle differences deal with the shape of the face of the block — the side that faces the splitting edge. The precise shape of this face has a subtantial effect on the tuning of the flute. The photo at the right shows two blocks. Although you cannot see it in the picture, both blocks have a flat bottom the flue is cut into the body of each flute. Also, neither of the blocks has wings. In this case, although the flute makers might object, you might be able to swap the blocks.

Why would you want to? Here are some scenarios:. Everyone has their own approach to this, and it does depend somewhat on the shape of the mouthpiece area of the flute. Try resting a small part of the mouthpiece on your lower lip and then using your upper lip to create a gentle, but airtight, seal. Regardless of which hand is dominant, most people play the Native American flute with their left hand nearest their mouth.

However, you can certainly play Native American flutes either way.

Frequently Asked Questions for the Native American Flute

The only issue that I know of is that some makers, especially for lower keyed larger flutes, will offset the finger holes from the centerline to make them easier to reach. If you have already begun to play the flute with the non-standard orientation right hand nearest your mouth , then only you can decide if it is worthwhile to backtrack a bit and switch to the standard orientation.

Another consideration is based on whether one of your hands has a wider comfortable spread when you stretch out your fingers. Hold both hands up with palms facing each other and spread your fingers wide apart. Compare the distances on each hand from your index to your ring fingers. If they are different, then yout might consider placing the hand wiith the larger spread on the finger holes at the bottom foot end of the flute. When you play lower-keyed flutes, these finger holes tend to be spread out more than the upper set of finger holes.

Parts inside the nest area. If you are trying to play outside, wind could be disturbing the resonance of the flute. Move inside or to a place protected from the wind. If the problem is intermittent from note to note, then you should probably skip to the next question. If the problem is happening consistently on all the notes you are trying to play, then the problem is likely to be one of four issues:. To check that this is the problem, play the flute with no holes covered.

Does it get a pure sound? Now carefully cover with a single finger just the top hole. Is the sound still pure? Keep covereing additional finger holes and, if you encouter a note that does not get a pure sound, it is likely that you are not completely covering one of the finger holes. Covering the finger holes is a challenge for many beginners. Most people overcome this issue quickly.

Here are several suggestions:. Work with just a few finger holes. Many beginners are taught that they should begin by trying to cover all the finger holes, but this can be daunting and discouraging for some. Try playing with just the left hand, working with just the top three holes. You can make an awful lot of music with just these three notes! When you are comfortable with reliably covering these top three holes, add a fourth note to the set:.

Again, get comfortable with these notes before moving on to work with the bottom to notes in the primary scale of the instrument. If you remove the strap of your flute and the block does not come off with more than gentle pressure, extreme care is needed. Hammers and vice-grips are not a good idea! First of all, there are a few flute makers who craft their flutes with blocks that are permanently fixed on the instrument. So, always check with the original maker of the flute to see how to proceed ….

If the temperature is much different than typical indoor room temperatures, it will affect the pitch of the flute important only if you are trying to play with another pitched instrument and could cause structural problems with the flute, such as cracking in cold temperatures. Wind can disturb the way the flute resonates, causing a change in the tone of the instrument or causing the sound to disappear altogether. Flutes that have wings on the side of the block are somewhat more resistant to this problem.

You can also try turning your back to the wind which can look really weird if you're playing for an audience. Backing tracks are recordings designed for you to play along with your flute. Here are two ideas offered by Jim Fallon about playing flute with recorded music personal communication, May 16, This device allows one to take a CD and slow the speed down without changing the key of the song … good for learning.

It also allows one to change the key of the music on the CD. It also allows one to cancel the center vocal or instrument track eliminate it, though not completely … if the flute has echo on it you will still hear a faint flute. Tascam makes other devices that use MP3 files rather than CDs. I purchased an inexpensive keyboard by Casio, one that has a one finger chord feature. I get the sheet music for a song, transposed it using your information on guitar chords for accompaniment to the key of a flute, and record the song, then play along with it.

It is pleasant to think of an Indian lover trilling in the dawn an improvised song to his beloved, or an Indian hunter singing beside his campfire, but neither picture represents the custom of the Indian tribes whose music I have studied. Indian song, in my observation, is far from being a spontaneous outburst of melody. On the contrary there is around it the dignity and control which pervade the whole life of the race.

When a flute plays in the second register , especially if it is not intended or unexpected, it is called an overblow. Half-holing is partially covering one or more of the finger holes. In finger diagrams, it might look like this: The amount or percentage that the finger hole is covered is usually not specified, but sometimes a distinction is made, as in these slightly different versions of finger diagrams that show half-holing on the bottom hole: Notice that the finger diagram shows all finger holes closed except for a half-hole on the top-most finger hole.

This technique will cause many flutes to jump into the second register. It is sometimes better to just crack the topmost finger hole slightly, depicted on finger diagrams like this: An ornament can be done with the breath, the mouth, with finger techniques or any combination of these.

A set of tones pitches. The notes are typically portrayed in ascending order although some cultures have used descending order to demonstrate their scales. The notes typically sung with that form a scale. Here is an octave interval on a Native American flute the notes are first played separately and then simultaneously:. In the Western classical music tradition, there are 12 notes within one octave.

Some of the other world music traditions have very different ideas for scale, having 19 or 22 or 24 or 25 notes in an octave, but we will stick to the Western classical music tradition. Any scale with five notes. There are many pentatonic scales — in total, if you stick with the 12 notes typically used in the Western classical music tradition. A pentatonic minor scale is a particular 5-note scale that starts on one note and in ascending order , skips two notes, picks the next note, skips one note, picks the next note, skips one note, picks the next note, skips two notes, and finally picks the next note.

If you skip one more note, the following note is the octave. If you've followed along with this, your head is probably spinning, so …. Here is an example of the pentatonic minor scale starting on the note E. This recording also includes a woven scale at the end that uses the same notes, but adds a bit more interest to the basic scale:.

E minor flute of Spalted Maple by Barry Higgins. Are you familiar with the melody that begins: It contains seven notes within one octave, but the scale is often listed as having eight notes. The eighth highest note of the scale is one octave higher than the first note of the scale — exactly double its frequency. If you play any white key on the piano and then play the next seven white keys in order up or down , you are playing one of seven scales we call the diatonic scales. These seven scales form the core of a great deal but certainly not all of the world's music.

The diatonic scales date back to at least Ancient Mesopotamian cultures, around the time when writing was developed. There are five other possible diatonic scales, all of which appear in various contexts and cultural voicings. It can be daunting to hear music theory that you don't understand. Playing music with others is about communication, and it flows in both directions. If you're snowed under by the music theory lingo, it might help to coach your music partners in the basics of Native American flutes. Here are some basic things you can say, and play for them , to get some points across:.

This second item about playing in a major key is a bit of a trick. Even if you don't understand the music theory behind it, you can just play those notes for the other musicians. Experienced musicians should be able to quickly figure out what key you are in. After they figure out the key, you can go off and play any notes on your instrument to their accompaniment. Finally, and probably the most important thing to get across, is that simple styles of playing often work best with Native American flutes. Many contemporary piano and guitar players will play very complex and interesting progressions.

Ask them to play or play examples of music with simple chord changes and lots of space. Here are a few great examples that might help:. I run into this a lot. So I pick up a random selection of flutes, toot away quietly off to the side for a bit, and eventually give up and pick up a shaker.

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For example, the relative minor key of A major is F minor. It is the most common key since it corresponds to C major, which has no sharps or flats i. Try several different notes. Do any of those notes work? D If some of the notes on the A minor flute work, then I try these keys in order: E minor corresponds to G major — a very common guitar key , D minor corresponds to F major — another common guitar key. E If none of the A minor notes work, I go to these key flutes, which have notes that are completely different from A minor: It is a system of writing music for the Native American flute developed by R.

Here is a very brief example:. The system is based on modern music notation. This is a characteristic key signature for music written in Nakai tablature. Nakai tablature does not necessarily include finger diagrams, which are often added below the staves of the written music as an aid when playing the music. The diagrams below each note that show finger placement are not actually part of Nakai tablature.

Far Off I Hear a Lover's Flute

Here is the example above with finger diagrams:. Most of the music written for the Native American has four sharp signs near the start of the staff: These sharp signs have many meanings, depending on your training in music education. The most important meaning for Native American flute players is that the music is written in Nakai tablature. Here are some online resources for sheet music. Some are in Nakai tablature and some have added finger diagrams:. Transposing a song from sheet music to play on a Native American flute can be approached in several ways:.

The Music Theory Approach: To determine if the song is suitable for a contemporary Native American flute, consider these issues:. The lowest interval can help you find the best note to use for the lowest note of the melody. If the lowest interval is two semitones common for melodies in major keys — most melodies in Western classical music traditions , then is often the best note to use for the lowest note of the melody.

If the lowest interval is three semitones or more, then try using for the lowest note in the melody. If the range is much more than an octave, it might not be suitable for the Native American flute. However, some songs that span more than an octave for one or a few notes might be made to fit the limited range of the Native American flute, with some careful substitutions of notes. If you are using for the lowest note of the melody, the range is even more restricted — it should not span much more than nine semitones.

Once you pick the starting note and confirm that the melody has a sufficiently small range, try transposing each note of the melody on a blank sheet of Nakai tablature. Start by transferring the lowest notes using your selected note. Then transfer other notes by finding the interval in semitones for each note from the lowest note of the original melody.

First, the simple but boring method: They are often written near the head of the instument or near the nest area, on the side or the bottom. Now for the fun method: If you cannot maintain that note, try these notes: Once you are comfortable with holding that note, try playing it along with the left column of sound samples. You can click the and buttons to start and stop each sound sample. The sound samples in green are the most common keys for Native American flutes:. Can you find one or a few rows that sound good with? If so, switch to the fingering with the three bottom holes open: