Die Einsamen (German Edition)
The title enjoys unbroken popularity up to today and is newly recorded by numerous artists.
Die einsame Träne, Op. 32, No. 3 (Alexander Fesca) - ChoralWiki
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- Nur die Einsamen.
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Retrieved from " https: CS1 German-language sources de Articles needing additional references from January All articles needing additional references All articles with unsourced statements Articles with unsourced statements from January All stub articles. Minchin's texts flow naturally with the music, have no false stresses and wherever possible retain the vowel sounds of the original, so that very often you feel that the songs have been set in English, and that's the highest praise I can give.
Einsame Menschen Drama
Here they have been loosely grouped into two sections, the first being ''The Seasons of the Year'', the second ''Daytime and Night''. The performances are shared between Neil Mackie and his wife Kathleen Livingstone. As we know from several discs, the tenor's tone is sweet, his style unaffected, his line exemplary and his phrasing expressive.
Above all, he brings a sense of creative spontaneity to everything he utters, and that is particularly true here. I like his simple fresh approach to Mendelssohn's ardent Venetian gondola song , the elegiac urgency of Schubert's Autumn , and the gentle, plaintive tone of his The rose ribbon. His keen articulation and inner feeling in Morning greeting makes one want to hear a complete Maid of the Mill from him.
Then there are out of the way pleasures such as Brahms's The Sleep-walker, a bitter-sweet Lied of tender loveliness, sung in a like fashion and I admired, too, Schubert's little-known Evening song of the huntsman. Kathleen Livingstone shares her husband's gifts of sure legato and a sense of placing words, but her readings are too often vitiated by unsteady and sometimes edgv tone.
She is at her best in a touching account of Wolf's The forsaken little servant once appearing in a telephone mishearing of one of Cardus's notices as ''the forsaken civil servant''!
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John Blakely's accompaniments are nicely matched to the singer's style. The recording is well balanced. Texts are supplied but no notes.