Go On Lady, Do It!

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Enjoy a night in with these popular movies available to stream now with Prime Video. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! Keep track of everything you watch; tell your friends. Full Cast and Crew. A happily married year-old woman who experiences an inexplicable, rather restless craving to finally live her life intensely, retells her extra-marital escapades to her husband intending to spice up their marriage.

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We Can Do It!

Movies that rips-off or copies or are like movie Belle De Jour. Share this Rating Title: All Ladies Do It 5. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Learn more More Like This. Kick the Cock Kick the Cock is an old Dutch saying, meaning Peek in the Kitchen. Edit Cast Cast overview, first billed only: Notaio Rossana Di Pierro Passenger on the Bus Rosa Maria Pezzullo Edit Storyline For a while now, beautiful year-old Diana Bruni who's been happily married for five years, has been feeling distressed, experiencing an inexplicable, rather restless craving to finally live her life to the full and to break free from what society forbids.

However, under the influence of her lesbian friend Antonietta Isabella Deiana and raunchy sister Nadia Ornella Marcucci , Diana starts to move the ongoings further while Paolo is still prone to believing that events narrated by her are merely fantasies. Nevertheless, when the French Sadean antiques dealer Donatien Alphonse Franco Branciaroli leaves marks on her body, Paolo understands that Diana is cheating on him and throws her out of the house. Diana then seeks further sexual adventures, while she and Paolo reflect on the nature of sexuality and monogamy , and their future as a couple.

From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. After its rediscovery, observers often assumed that the image was always used as a call to inspire women workers to join the war effort.

However, during the war the image was strictly internal to Westinghouse, displayed only during February , and was not for recruitment but to exhort already-hired women to work harder. After she saw the Smithsonian cover image in , Geraldine Hoff Doyle mistakenly said that she was the subject of the poster.

Doyle thought that she had also been captured in a wartime photograph of a woman factory worker, and she innocently assumed that this photo inspired Miller's poster. However, in , the woman in the wartime photograph was identified as then year-old Naomi Parker , working in early before Doyle had graduated from high school. Doyle's notion that the photograph inspired the poster cannot be proved or disproved, so neither Doyle nor Parker can be confirmed as the model for "We Can Do It! After the Japanese attack on Pearl Harbor , the U. The workplace atmosphere at large factories was often tense because of resentment built up between management and labor unions throughout the s.

Directors of companies such as General Motors GM sought to minimize past friction and encourage teamwork. In response to a rumored public relations campaign by the United Auto Workers union, GM quickly produced a propaganda poster in showing both labor and management rolling up their sleeves, aligned toward maintaining a steady rate of war production.

Howard Miller was an American graphic artist. Miller studied at the Art Institute of Pittsburgh , graduating in His work came to the attention of the Westinghouse Company later, the Westinghouse War Production Co-Ordinating Committee , and he was hired to create a series of posters. The posters were sponsored by the company's internal War Production Co-Ordinating Committee, one of the hundreds of labor-management committees organized under the supervision of the national War Production Board.

In , Miller was hired by Westinghouse Electric's internal War Production Coordinating Committee, through an advertising agency, to create a series of posters to display to the company's workers.

Each of the more than 42 posters designed by Miller was displayed in the factory for two weeks, then replaced by the next one in the series. Most of the posters featured men; they emphasized traditional roles for men and women.

All Ladies Do It - Wikipedia

The Westinghouse poster was not associated with any of the women nicknamed "Rosie" who came forward to promote women working for war production on the home front. Rather, after being displayed for two weeks in February to some Westinghouse factory workers, it disappeared for nearly four decades. Rockwell's emblematic Rosie the Riveter painting was loaned by the Post to the U. Treasury Department for use in posters and campaigns promoting war bonds.

Following the war, the Rockwell painting gradually sank from public memory because it was copyrighted; all of Rockwell's paintings were vigorously defended by his estate after his death. Ed Reis, a volunteer historian for Westinghouse, noted that the original image was not shown to female riveters during the war, so the recent association with "Rosie the Riveter" was unjustified.

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Rather, it was targeted at women who were making helmet liners out of Micarta. In , the "We Can Do It!

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In subsequent years, the poster was re-appropriated to promote feminism. Feminists saw in the image an embodiment of female empowerment. This was very different from the poster's use to control employees and to discourage labor unrest. Smithsonian magazine put the image on its cover in March , to invite the viewer to read a featured article about wartime posters.

In , former war worker Geraldine Hoff Doyle came across an article in Modern Maturity magazine which showed a wartime photograph of a young woman working at a lathe, and she assumed that the photograph was taken of her in mid-to-late when she was working briefly in a factory. Without intending to profit from the connection, Doyle decided that the wartime photograph had inspired Miller to create the poster, making Doyle herself the model for the poster. Kimble obtained the original photographic print, including its yellowed caption identifying the woman as Naomi Parker.

The photo is one of a series of photographs taken at Naval Air Station Alameda in California, showing Parker and her sister working at their war jobs during March Although many publications have repeated Doyle's unsupported assertion that the wartime photograph inspired Miller's poster, [27] Westinghouse historian Charles A. Ruch, a Pittsburgh resident who had been friends with J.