The New H.N.I.C.: The Death of Civil Rights and the Reign of Hip Hop

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Hip hop music and the culture that surrounds it—film, fashion, sports, and a whole way of being—has become the defining ethos for a generation. But moving far beyond the music, hip hop has emerged as a social and cultural movement, displacing the ideas of the Civil Rights era. Todd Boyd maintains that a new generation, having grown up in the aftermath of both Civil Rights and Black Power, rejects these old school models and is instead asserting its own values and ideas.

Hip hop is distinguished in this regard because it never attempted to go mainstream, but instead the mainstream came to hip hop.

Young Age - H.N.I.C (Head Nigga In Charge)

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The New H.N.I.C.

There was a problem filtering reviews right now. Please try again later. Found book to be informative of the music culture. Very informative, brought back so many memories of true hip-hop and enlightened me as to this new generation with its mission as well as influence on other cultures. I liked this book and learned a lot from it.


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Todd Boyd takes on some sacred cows and takes no prisoners. He convincingly argues that the civil rights movement has outlived its usefulness and relevance for black America and the rest of society.

In pointing out the failures of Jesse Jackson and his crowd, I believe Boyd says what lots of people are thinking, but are afraid to say, and his words pack a punch. Using anecdotes, biographies and lyrics from rap music to support his theory, he shows why hip hop is a better tool now for analyzing and understanding current cultural trends and attitudes.

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And the fact that you can't open a newspaper or turn on the TV these days without hearing some hip hop lingo spoken or seeing Eminem, Snoop Dogg or some other hip hop figure just proves his point. Boyd also does a great job of explaining the messages behind the music that has become an ideology for so many. The most enlightening aspect of the book are the numerous instances Boyd points to of the huge impact of hip hop on mainstream tastes, politics and culture.

In connection with that, his discussions--from a hip hop perspective--of Chris Rock, Jennifer Lopez, Bill Clinton and Eminem, among others, are daring, amusing and insightful. He doesn't let hip hop off the hook, either.

Boyd worries about where the hip hop movement is headed. It's an entertaining and easy read. But while Boyd makes you laugh and groove to this new cultural beat, he also makes you think. Nothing cited about the popularity of featuring Black Nationalism speeches over hard core production Ava Muhammad, Malcon X, Louis Farrakhan , the raised consciousness of Garveyism, the African Medallions or how many White journalist were caught off gaurd for attempting to challenge artist they thought were "stupid" Chuck D. More also could have been addressed on Hip Hop's presence from a global prespective such as it's influence on the Black youth of South Africa-Post Aparthied or Africa in general.

This is just a good read and necessary for a good discussion on Hip Hop and the parities between the current generation and thier parents.

The New H. N. I. C.: The Death of Civil Rights and the Reign of Hip Hop - Todd Boyd - Google Книги

Boyd's book is not really like his other publications, "Am I Black Enough For You" is a scholarly investigation, "Young Black Rich and Famous" more of a standard non-fiction subject history approach. He produced and co-wrote the Paramount Pictures film The Wood. Hip hop music and the culture that surrounds it—film, fashion, sports, and a whole way of being—has become the defining ethos for a generation. But moving far beyond the music, hip hop has emerged as a social and cultural movement, displacing the ideas of the Civil Rights era.


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Todd Boyd maintains that a new generation, having grown up in the aftermath of both Civil Rights and Black Power, rejects these old school models and is instead asserting its own values and ideas. Hip hop is distinguished in this regard because it never attempted to go mainstream, but instead the mainstream came to hip hop.

Maintaining that Martin Luther King, Jr.