Legal Rhetoric Books in England, 1600-1700

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Ford traces this shift of meaning, which he sees as first occurring in the poetry of William Wordsworth. Gradually 'air' and 'atmosphere' took on the new status of metaphor as Wordsworth and other poets re-imagined poetry as a textual area of aerial communication - conveying the breath of a transitory moment to other times and places via the printed page.

Reading Romantic poetry through this ecological and ecocritical lens Ford goes on to ask what the poems of the Romantic period mean for us in a new age of climate change, when the relationship between physical climates and cultural, political and literary atmospheres is once again being transformed. The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture.

Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world. Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself.

Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work.

Edward Gibbon's History of the Decline and Fall of the Roman Empire, published in three instalments from to , is widely regarded as the greatest work of history in the English language. Starting with the accession of the Roman Emperor Commodus in the late second century CE, Gibbon's work traverses thirteen centuries, encompassing the rise of Christianity and of Islam, the collapse of the Roman Empire in the West, and the fall of the Byzantine Empire in This Companion provides a comprehensive overview of the intellectual roots, contemporary European contexts, literary style and thematic scale of Gibbon's achievement.

Alongside the History, it gives an introduction to Gibbon's other works, including the Memoirs he left unfinished at his death and previously unpublished material.

Leading international scholars in the fields of classics, geography, history and literature provide a comprehensive account of Gibbon's monumental account of decline, fall and global historical transformation. An instant success in its own time, Daniel Defoe's The Adventures of Robinson Crusoe has for three centuries drawn readers to its archetypal hero, the man surviving alone on an island. This Companion begins by studying the eighteenth-century literary, historical and cultural contexts of Defoe's novel, exploring the reasons for its immense popularity in Britain and in its colonies in America and in the wider European world.

Chapters from leading scholars discuss the social, economic and political dimensions of Crusoe's island story before examining the 'after life' of Robinson Crusoe, from the book's multitudinous translations to its cultural migrations and transformations into other media such as film and television. By considering Defoe's seminal work from a variety of critical perspectives, this book provides a full understanding of the perennial fascination with, and the enduring legacy of, both the book and its iconic hero. During the eighteenth and nineteenth centuries, the Caribbean was known as the 'grave of Europeans'.

At the apex of British colonialism in the region between and , the rapid spread of disease amongst colonist, enslaved and indigenous populations made the Caribbean notorious as one of the deadliest places on earth. Drawing on historical accounts from physicians, surgeons and travellers alongside literary works, Emily Senior traces the cultural impact of such widespread disease and death during the Romantic age of exploration and medical and scientific discovery. Focusing on new fields of knowledge such as dermatology, medical geography and anatomy, Senior shows how literature was crucial to the development and circulation of new medical ideas, and that the Caribbean as the hub of empire played a significant role in the changing disciplines and literary forms associated with the transition to modernity.

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This book explores how a modern English literary identity was forged by its notions of other traditions and histories, in particular those of China. The theorizing and writing of English literary modernity took place in the midst of the famous quarrel between the Ancients and the Moderns. Eun Kyung Min argues that this quarrel was in part a debate about the value of Chinese culture and that a complex cultural awareness of China shaped the development of a 'national' literature in seventeenth- and eighteenth-century England by pushing to new limits questions of comparative cultural value and identity.

Writers including Defoe, Addison, Goldsmith, and Percy wrote China into genres such as the novel, the periodical paper, the pseudo-letter in the newspaper, and anthologized collections of 'antique' English poetry, inventing new formal strategies to engage in this wide-ranging debate about what defined modern English identity. This book investigates the figure of the military man in the long eighteenth century in order to explore how ideas about militarism served as vehicles for conceptualizations of masculinity. Bringing together representations of military men and accounts of court martial proceedings, this book examines eighteenth-century arguments about masculinity and those that appealed to the 'naturally' sexed body and construed masculinity as social construction and performance.

Julia Banister's discussion draws on a range of printed materials, including canonical literary and philosophical texts by David Hume, Adam Smith, Horace Walpole and Jane Austen, and texts relating to the naval trials of, amongst others, Admiral John Byng. By mapping eighteenth-century ideas about militarism, including professionalism and heroism, alongside broader cultural concerns with politeness, sensibility, the Gothic past and celebrity, Julia Banister reveals how ideas about masculinity and militarism were shaped by and within eighteenth-century culture.

David Brumble Published by: Anthem Press Published online: The book also discusses tribal-warrior autobiographies closer home: In all these texts, verse is examined for what it can tell the historian about the progress of enlightened man to civil society. This book contends that several writers of tracts on history and poetics did not merely view verse as a sign of human progress. Rather, they recognized that the particular characteristics of verse rhythm and metre, line endings, stress contours, rhyme, etc. Seventeenth-century England teemed with speculation on body and its relation to soul.

Descartes' dualist certainty was countered by materialisms, whether mechanist or vitalist. Check if you have access via personal or institutional login. Log in Register Recommend to librarian. This book has been cited by the following publications. This list is generated based on data provided by CrossRef. The Historical Journal, Vol. A Companion to the History of the Book. Cambridge University Press Online publication date: March Print publication year: Cambridge Histories - Literature Series: Export citation Recommend to librarian Recommend this book.

The Cambridge History of the Book in Britain. McKenzie With Maureen Bell.

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Please enter a valid email address Email already added. The Times Literary Supplement '… the volume's range of scholarship is impressive. Journal of Ecclesiastical History 'However, what this volume should do is encourage book historians out of their period and subject specialisms. Journal of the Printing Historical Society '… our … most heartfelt thanks go to Cambridge University Press for a 'Cambridge History' fully worthy of its distinguished predecessors.

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The first Dutch publisher of John Bunyan and other English writers: Transactions of the Bibliographical Society , 5th ser. II with addenda , and corrigenda , to vol. I Works in English , Aldershot. This supersedes Allison , A. Transactions of the Bibliographical Society , 4th ser. English activities in Ireland, the Atlantic, and America — , Liverpool. A pattern of cultural exchange , Leiden. Transactions of the Bibliographical Society , 6th ser. Transactions of the Bibliographical Society , 3rd ser.

English emblem books and renaissance culture , London. Biblical metaphors of knowledge in early modern Europe , Oxford. A new history of early English drama , New York , pp. Leiden — , Bibliotheca bibliographica neerlandica , 29 , Nieuwkoop. A bibliographical history to the year , London. Festschrift for Professor T. Birrell on the occasion of his sixtieth birthday , Amsterdam , pp. Copy British Library, London , shelf-mark sc Ben Jonson and the discourses of censorship , Ithaca and London. The origins of Empire: British overseas enterprise to the close of the seventeenth century , Oxford.

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Medieval studies in honor of Leonard E. Master Job Throkmorton laid open in his colors , San Marino. Sternfeld , Oxford , pp. The impact of the New World on the Old , 2 vols. Berkeley, Los Angeles, London. A bibliography , rev. Elizabethan and Jacobean dramatic censorship , Manchester and New York.

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The first phase c. Dame Eleanor Davies, never so mad a ladie , Ann Arbor. Dissenting literature in seventeenth-century England , London. Craig Ferguson , W. Literacy and the social order: Cultures of natural history , Cambridge , pp. Oxford, Bodleian, Ms Mus.

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