The Soviets - You Are Not The End Of The World (Lyrics Book)
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Woodhead duly met them for a drink, and shot the first film of them playing — a lunchtime gig at the Cavern — but transmission was delayed because of a problem with the brass band's union fees. Instead, Woodhead urged his producers to allow the Beatles into Granada's studio, and play on live TV for the first time.
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Four months later, they reached No 1 with Please Please Me. Despite Woodhead's part in Beatles history, it was not the band's story in north-west England — where he still lives — but in the Soviet Union that became, Woodhead says, "an essential narrative of my times", and that propels his effervescent new book, How the Beatles Rocked the Kremlin. This tells the remarkable story of precisely how and why, as Woodhead explains, "the Beatles came to mean more, and were more important, to that generation of Soviet youth than they were here, or in America — for several reasons".
The book's main character, the Russian writer and critic Art Troitsky , makes the claim that: And I'm sure the impact of all those stupid cold war institutions has been much, much smaller than the impact of the Beatles.
A grand assertion, maybe — but widely shared. And the Russian rocker Sasha Lipnitsky — snowflakes falling on his beret as he talks to Woodhead in a park bandstand — insists: For many of us, it was the first hole in the iron curtain. All this became Woodhead's story, too. Before joining Granada, Woodhead had undergone his national service by eavesdropping on radio traffic between Soviet pilots at an airbase near Berlin. He later went on to become the documentary film-maker who, more than any other, recorded — often clandestinely and at risk — the anti-Stalinist underground in eastern Europe, and its eruptions during the late s and early s.
Since then, Woodhead has often travelled through the new Russia to explore the Fab Four's role in the unravelling of a superpower. And of course, among his first ports of call was Kolya Vasin — yellow submarine on the wall of his apartment full of Beatles memorabilia and a cat called Hey Jude. There are so many others — rock musicians, eccentrics, writers, dissidents — of the same vintage, with different stories to tell, but all variations on the theme.
The rock musician Boris Grebenshchikov was eventually allowed to cut an album, first with the official Melodiya label, then with CBS in America, after a concert in Leningrad with Dave Stewart of Eurythmics.
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He speaks of the Beatles with a "mystical musing" that Woodhead says he could not tolerate in any other context. Andrei Makarevich formed a Beatles-inspired band called Time Machine , who became huge in Russia from the s — only to be later denounced as "un-Russian", "advocates of indifference" — and who remain iconic today. Indeed, the repression and harassment of the music ebbed and flowed as the party controls lapsed or intensified. It must have driven them insane," says Woodhead. He not only excavates the minds of the rebels but also the propaganda machine at work.
He recounts how a school staged a mock trial of the Beatles — broadcast on radio — with a prosecutor and denunciations in the manner of Stalin's show trials of the s.
A critical bulletin shown on state TV, entitled Pop Quartet the Beatles , told the story of how "these gifted guys could be real cash earners" while, "struck down with psychosis, the fans don't hear anything any more. Hysterics, screams, people fainting! Keep going, louder and faster! You don't care about anyone else. As Woodhead points out, to Beatles fans in s Russia, "Everything west was good.
The kids came to believe the exact opposite of everything they were being told all those years. The authorities' prognosis didn't correspond to what they were listening to. The system was built on fear and lies, and in this way the Beatles put an end to the fear, and exposed the lies. Looking through the other end of the telescope, it is enlightening to find what the Soviet authorities approved of.
It does so with rapid-fire references to religion, media, patriotism, the Soviet Union, continental drift, and more. We'll have things fixed soon.
It's the End of the World as We Know It (And I Feel Fine) Lyrics
Facebook Twitter Instagram Youtube. It's the End of the World as We Know It And I Feel Fine Lyrics [Verse 1] That's great, it starts with an earthquake Birds and snakes and aeroplanes Lenny Bruce is not afraid Eye of a hurricane, listen to yourself churn World serves its own needs, don't misserve your own needs Speed it up a notch , speed, grunt, no, strength The ladder starts to clatter with fear of height, down, height Wire in a fire, represent the seven games And a government for hire and a combat site Left of west and coming in a hurry With the Furies breathing down your neck Team by team, reporters baffled, trumped, tethered, cropped Look at that low plane, fine, then Uh oh, overflow, population, common group But it'll do, save yourself, serve yourself.
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